Friday, October 2, 2015

Star Wars The Clone Wars: Season 2

First time here? Get caught up with the mission statement, Episode I, Episode II, the Clone Wars movie and the first season of the show. Or don't. I'm a sign, not a cop.


After that stellar finale to an inconsistent Season 1, Hostage Crisis, it seems no surprise that the following season would be subtitled "Rise of the Bounty Hunters". Indeed, we were due some resolution after, if you'll recall, newly introduced badass Cad Bane, with the help of equally badass Aura Sing, sprung Ziro the Hutt from Coruscant while Anakin Die Harded his Die Hardiest to save everyone.

Or, you know, that's what a normal show would do. The Clone Wars, on the other hand, decided to craft an entire season that takes place prior to the events in Hostage Crisis. In fact, the 16th episode of this season takes place even before the movie, or any episodes of season one, even the 16th episode of season one, which technically also took place before the movie that came out before the series. In fact, Hostage Crisis doesn't even happen until halfway through Season 3, while the latter half of season two should occur in the middle of...you know what? ****it. Just **** it! I would rather down a quart of Wild Turkey and try and piece together the ****ing Zelda timeline than deal with this s**t. This is why we're doing it by season, rather than suss out it's chronology episode by episode. Because that leads to anger, and anger leads to hate, and hate leads to me just abandoning this s**t and just binging old Wrestlemanias. So let's just not, shall we?

Well, chronology aside, this was one hell of a season. I mean, I had my trepidations going in after the first season that this would be another frivolity with some flickers of fun, a trifle I muscle through for the sake of completist compulsion until I get back to the movies, but woo buddy was I glad to be wrong. I was enthralled from the first few minutes, and kept right on in clean through to the end, so let's dive right in, huh?


My boy Cad Bane is back right off the bat, this time tasked with procuring a Holocron from the Jedi Archives (holocrons are a palm-sized box of data including Jedi legends and strategy, as well as that thing you could collect all of to win a game of Star Wars Galactic Battlegrounds without ever having to fight anybody) in this three-parter; Holocron Heist, Cargo of Doom and Children of the Force.

So, technically, we start out with a space battle, much sleeker and more cinematic than anything from Season 1. It's clear the team has not only gotten a better grip on this style of animation, but have a larger budget than they did last season to really make something that's great to look at as well as watch. When Ahsoka's ego gets in the way during a battle, she's brought before the Jedi council, chastised, and removed from the battlefield, to serve under the watchful eye of my favorite Jedi (besides Yarael Poof, of course) Jocasta Nu in the Archives. There, she's assigned to guard the vault that contains the Holocrons. Good, we all up to speed? Great, now back to Bane.

Our first shot of him is this gorgeous crescent of light revealing a peek of his face, his silhouette at the window, as he receives instructions from Darth Sidious. After making his demands (a stealth ship, a cloaking device and triple his usual fee), summoning Cato Parasitti, a Clawdite (the same species as Zam Wessel from Attack of the Clones, remember her?) and reprogramming his sassy Seth Green voiced robot, Bane is ready. They break in and Ashoka, distracted with Parasitti first disguised as a Jedi Master and then Jocasta, has her hands too full to contend with Bane as well, and he makes off with the Holocron. The captured Parasitti give the now assembled Jedi a name, Bolla Ropal, and soon the intent of Bane's employer is made clear: the Holocron contained the names of all the force sensitive children in the galaxy, and Bolla Ripal is the keeper of said knowledge.

As we see in Cargo of Doom, a holocron can only be opened by a Jedi. After capturing and torturing Bolla to no avail, Bane kills him and allows Anakin and Ahsoka to board his ship with the intent to trap one and force them to open the holocron. A lengthy bout ensues (the details of which it would be silly to recount), but long story short there's some terrific zero gravity fighting, some fleeing and pursuing, and Cad finally captures Ahsoka, sealing her in an airlock, stealing her padawan braid and holding her hostage unless Anakin opens the holocron. Anakin allows his personal attachment to this girl to cloud his judgement as a Jedi, and thus sets in motion the intended death of innocent children. You know, for the first time, but certainly not the last.

Cad Bane escapes by opening the airlock, forcing Anakin to rescue Ahsoka instead of fight, and after discovering his own ship has been overtaken by clones, is confronted by two troopers, who he kills and steals the armor of in order to blend in and make his escape. When they return from the mission, Anakin assumes Bane died on the trip, but is troubled that he can still sense him with the force (I've noticed the rules of what can and can't be sensed by the Force aren't terribly consistent in this series), while assuring Ahsoka that everything from the holocron opening to Bane's escape is his fault, not hers.

Children of the Force opens with Anakin discovering Bane's blood in one of their ships, while Ahsoka attempts to interrogate the trooper who allegedly killed Bane to no avail. Attempting to warn Ahsoka that the silent trooper my be a ruse, Anakin is too late as the disguised Cad delivers a knee to Ahsoka's stomach and escapes, solidifying his title as most badass character with the name Bane. Anakin warns the council of Bane's escape, and they fear for the safety of the force sensitive children listed in the Holocron. They're right to do so, it seems, as Sidious demands Bane kidnap some force sensitive children and bring them to the planet Mustafar.

The council dispatches Anakin to Naboo and Obi-Wan to Rodia to try and rescue children they felt were in danger through the force, but unfortunately one is too late. Obi-Wa arrives only to find the child's hypnotized mother holding him at gunpoint, Cad in the doorway, having posed as a Jedi, fleeing with the child. Meanwhile, Anakin places Ahsoka on duty to guard a Gungan child, and Bane, hoping to find the child, stumbles upon Ahsoka in it's room instead. They fight, and Bane is eventually subdued, with Ahsoka reclaiming her braid upon his capture. While Sidious instructs robots on Mustafar to perform nefarious surgery on the babies (with the Drago mentality of "If they die, they die"), Bane offers to lead Mace Windu and Obi-Wan to the holocron, only to drive the into a trap and escape once more, while the Jedi manage to procure the Holocron and escape before the ship explodes.

Through Cad Bane's ship's fueling log, Anakin determines Bane broth the children to Mustafar, and he and Ahsoka make their way there. Sidious senses their presence and demands the droid destroy the facility, meaning this show has gone from "Let's rescue a Hutt baby" to "Let's toss some babies into some ****ing lava". Thankfully, the Jedi rescue the children (who, mind you, were being used as human shields by the droids, 'cause this show goes hard) and escape the facility, reporting to Yoda that the issue is resolved, and Yoda in return urges caution moving forward.


I've said it before, and I'll say it again: I'd watch a whole show of Padme. She's been one of the best improvements from the franchise this series has done, and this first of a five part story, Senate Spy, is made so much better with her as the focal point. Anakin returns from abroad and visit's Padme's apartment, bringing her gifts and dismissing a reluctant to leave C-3PO because they gone fuuuuuuuuu.....ight, apparently. Before they can even have a moment alone, Anakin is summoned by the Jedi council and told he needs to persuade Padme to spy on Senator Clovis, who's suspected of being a Separatist spy, which she refuses to do, because the two have a history (but she says he's just a friend. Yeah, she say he just a fwiend). I men, until Anakin says she shouldn't, because then she gets all "You are not the boss of me, I'm gonna do it" because this is what couples do. So Padme agrees to spy on Clovis, who it turns out is working for the Separatists. He invites her to join him on Cato Neimoidia, and she agrees, bringing Anakin as her bodyguard, since he's definitely emotionally stable enough to handle it. After a lot of banter and jealousy, Padme discovers and steals plans for a droid building facility on Geonosis that Clovis would have been funding, and manages to distract Clovis with romantic interest while getting the information to Anakin (as he glares at them from the doorway in jealous rage, Padme wraps Clovis in her arms tight, Anakin to his back, and drops the disk behind him for Anakin to catch with the force), but she's poisoned by a drink the Neimoidians drugged. Anakin comes to her aid, and Clovis, realizing his love for Padme is more important than any business deal, and holds Lott Dod at gun point until he surrenders the antidote. The three flee to the ship, but Anakin leaves Clovis behind to presumably die all because he had the audacity to mack on Anakin's secret wife (perhaps in a reference to the plagues visited on pursuers of Abram's wife who he claimed was his sister in Genesis. At the very least, it makes just as little sense). Anakin cures Padme himself, and their love is rekindled. And thank goodness, because its tough to even imagine what tragedy would befall Padme had she actually fallen for Clovis, who would be willing to sacrifice his life for her safety, instead of staying with the guy who will in about three years time force choke her and cause her to die during pregnancy.

The follow-up, Landing at Point Rain, forgoes much of the forced plotting that weighed down season 1 and just goes **** it, it's a war show, here's a battle, and it's honestly much the better for it. The troops fight the Geonosians, and the only real semblance of a plot thread is Anakin and Ahsoka having a game to see who can kill the most droids, ending with Ki-Adi-Mundi, the presumably uptight, stoic Jedi, admitting he not only kept count, but beat both other Jedi. It's a great little episode that helps carry the story along with some fun action sequences.

Weapons Factory is where the Western influences start to shine through the strongest, and not just because of the "blowing up the bridge" sequence a la The Good, The Bad and the Ugly and later Gore Verbinski's The Lone Ranger (and many others, but figured I'd take the opportunity to plug two of my favorite westerns). Ahsoka is paired up with the Padawan of Luminara Unduli, Barriss. Yeah, there's the typical TV show "jealousy" thing running as a thread through the episode, but mostly it's another action-heavy episode involving the destruction of a supertank.

Legacy of Terror is all about the ambience. A plot description it would be as minimal as its potential is vast, and it lives up to it. Beneath a temple in Geonosis lies a queen creature that looks like the most badass video game boss that never was, who utilizes worm craters that can reanimate dead beings and control them through a hive mind. Yes, Luminara gets captured and then rescued by Obi-Wan and Anakin. Yes, Obi-Wan wants to study the seemingly last remaining of the worm creatures, but Anakin stomps it and tells Obi-Wan to "study the bottom of my boot". Yeah, there are some great highlights of this terrifically chilling episode, but somehow the next episode is even darker, more intense and I honestly can't wait to get to it, so let's just get right to it.

The conclusion of this five-parter is Brain Invaders, which is much better than the title suggests, I assure you. Ashoka and Barrios are charged with transporting medical supplies while the Jedi Masters focus on transporting Poggle the Lesser. Unbeknownst to anyone, though, an egg had escaped the collapsed temple (oh, yeah, last episode they collapsed the temple with the queen still inside, so she's probably dead), and hatches, with the worm inside crawling into the ear of one of the clone troopers resting by the temple. He and his brethren are given orders to travel with Ahsoka and Barriss, so an infected Clone Trooper, who can spread the infection, boards a spaceship with the two jedi and several other clones, and if you're thinking "If I'm lucky, this episode could be the perfect blend of Alien-like fear and isolation and The Thing paranoia", then face it tiger, you hit the jackpot.

Turns out the infected trooper has a backpack full of whom eggs, and when the ship jumps into hyperspace, Ahsoka and Barrios decide to grab some food while Scythe, the infected trooper, tosses some of the eggs into the barracks, infecting more troopers. Some storm the cockpit, killing the pilots and overtaking the ship, others storm the mess hall and attempt to subdue the Padawans, but are themselves subdued, and when two more troopers drive, the Jedi are initially hostile. They interrogate the two troopers, Trap and Havoc, who they realize are thus far not possessed. After failing to make contact with the bridge, Trap, Ahsoka and Barriss decide to decide to head there, leaving Havoc behind to guard the unconscious troopers.

Obi-Wan and Anakin are troubled to find out the medical supplies have yet to arrive, but Ki-Adi Mundi advises them to focus on interrogating Poggle. Back on the ship, the infected have set the autopilot and security shields, trapping the uninfected. Barriss attempts to take down the shields when a newly attempted Trap attempts to stop her. This leads to a sequence of him spitting a the worm from his mouth and being stabbed through the chest with a lightsaber in the single most badass non-Cad Bane moment of the series thus far. The two decide to split up, and while Ahsoka manages to get a message out to Kit Fisto, Barrios manages to get infected by a worm. Anakin, furious for the safety of his Padazan, attempts to use a jedi mind trick to get Poggle to talk. Poggle snickers about how mind tricks won't work on him, and Anakin assure Poggle he won't need any. He then proceeds to mercilessly beat and force choke Poggle, while the theme to The Wire plays (at least in my head it did). Swiftly, Anakin contacts Ahsoka to tell her that cold temperature will kill the worms, and she ruptures the coolant system before having to square off with a possessed Barrios who, in a moment of clarity, begs for death. Ashoka, however, refuses, killing only the worm emitted from Barriss' mouth. Finally docking, Kit Fisto finds the girls frozen within the ship, and gets them medical attention.


The kick off of this two-parter, Grievous Intrigue, offers not a lot of intrigue, but a hell of a lot of action, and that's fine by me. There's some fighting between Obi-Wan and Grievous, some talk of eliminating all of the Jedi, some Grievous climbing on all fours backward like a spider, it's a rousing good time that ends with Grievous escaped to the planet Saleucami on the Outer Rim, and that sets up the most Harlan Ellison this show has ever gotten.

The Deserter finds us on the planet Saleucami, where Commander Rex has been shot. Needing a safe place to receive medical attention, one of the clone troopers tending to him realizes they're on a farm and therefor there must be a farmhouse. They find it, and the woman presiding over the farm is initially hostile, but agrees to let Rex recover in the barn, while her children are eager to see him and even tell him he look like their dad, which ignites the nerd imagination to wonder "Can clones have children? What is one did just try and start a life?" turns out the writers have wondered that too, as Rex is confronted by the farm's patriarch, a clone going by the name Cut Lawquane. Rex is initially disgusted that Cut would abandon his brothers and his purpose, but Cut insists that even clones have free will, and that his family is with him on that farm, not on some battlefield; that they are his purpose.

Grievous, meanwhile, has located an escape pod and called for an airlift. Obi-Wan catches up to the general and attempts to engage him in battle, but Grievous uses a grappling hook to latch onto a Separatist ship and escape, making the entire endeavor of landing on the planet pointless, frustrating the Jedi immensely. Meanwhile, Cut Lawquane's children accidentally activate a dormant platoon of droids who quickly attack the farm. Setting their differences aside, Cut and Rex fight side by side to defend the farm, Cut even saving Rex's life. The next morning, upon his departure, Rex assures the family that while it's his duty to report the deserter, he'll likely "not remember" the events on this planet. Cut reminds him this could be a life for him as well, no more killing, a family, etc. But Rex assures him his family is elsewhere, out on the battlefield.


We return to the Blade Runner underbelly of Coruscant for this fleeting but fun one off, Lightsaber Lost. When Anakin and Ahsoka raid a bar looking for an arms dealer, Ahsoka gets her lightsaber pickpocketed, a fact she hides from her master when he exits the bar with their target. Ahsoka explains everything to Jocasta who, to her credit, doesn't narc, but rather brings her attention to Tera Sinube, an old reptilian Jedi who is an expert on Coruscant's criminal underground. After ascertaining the identity of Ahsoka's thief through a database, they set out in search of the lightsaber which, after a series of interrogations appears to be in possession of a Nack Movers. Arriving at his girlfriend's apartment, they find Nack's dead body, and a frightened Ione Marcy, apparently Nack's girlfriend, asking if the men who killed Nack were gone. Tera stays to comfort the girl, while Ahsoka searches the apartment, and soon finds her lightsaber in the hand of a bounty hunter named Cassie, who flees upon the realization that Ahsoka is a Jedi. Ashoka swiftly informs Tera of this development, and takes off after her.

There's some stellar moments in this episode, from Tera's calm revealing of his knowledge of Ione's deception (Ione and Cassie are in some Thelma & Louise style partnership), or Ahsoka sliding down a video screen of Emperor Palpatine's face reminiscent of those screens of Wallace Breen in Half-Life 2.  Cassie gives chase, the two Jedi chase after, and after a showdown onboard a train (the jedi find them at a train station because Tera planted a tracking device on Ione, because in one episode Tera has demonstrate more tactical skill than Obi-Wan has in two seasons), the two are arrested and Ahsoka's lightsaber recovered. Tera urges Ahsoka to share what she has learned, and we're treated to a very sweet sequence of Ahsoka explaining to the younglings under Yoda's tutelage that you should take care engirding your lightsaber.


So, bet you didn't know Mandalore, birthplace of Jango Fett, was a peaceful planet, did you? Run by pacifist leader Duchess Satine, the planet's warriors allegedly all died out on Concordia, the planet's moon, but a fringe terrorist group known as the Death Watch has been committing acts of violence both on and off world, and when one attacks a Republic cruiser, it sets in motion the events of The Mandalore Plot, Voyage of Temptation and Duchess of Mandalore.

The events of the three episodes get a bit repetitive, with three different handsome human characters ending up being traitors (as though it wasn't already predictable back when it happened in Cloak of Darkness), so I'll attempt to streamline this as best I can.

Obi-Wan arrives on Mandalore and confront Satine to see if she's behind the Mandalorian attack, she explains the Death Watch. The romantic tension is so palpable between Satine and Obi-Wan that you can tell long before he reveals it that the two had a history (he was charged with protecting the duchess when he was still Qui-Gon's padawan). The Death Watch, dissatisfied with Satine's pacifist ways, are working with the Separatists in order to rally the people of Mandalore to overthrow her. After a terrorist bomber commits suicide to evade capture (yeah, this show goes ****ing hard), Obi-Wan and Satine travel to Concordia and meet Governor Pre Vizla, who is a handsome human, so long story short he's a traitor. The only truly notable thing from this encounter is that Vizla brandishes a Darksaber saying "This lightsaber was stolen from your Jedi Temple by my ancestors during the fall of the Old Republic. Since then many Jedi have died upon its blade." which is a canonical first for both the Old Republic and darksabers. Obi-Wan, believing that Separatists are behind the Death Watch, still cannot persuade Satine to set aside her neutral attitudes.

Aboard a ship called Coronet, Anakin and Obi-Wan stress to the troops that the safety of the Duchess is of paramount importance, and the team is promptly split up to deal with assassin probes. There's a whole convoluted affair with Anakin battling stealthy probes in the cargo hold while Obi-Wan pulls a Hercule Poirot during the duchess' dinner to determine who of her guests was the traitor (surprise, surprise, it was the handsome human), the highlight of the episode being when the duchess, who'd been kidnapped by the traitor, breaks free, and both she and Obi-Wan hold the man at "gunpoint". He explains that he's rigged the entire ship to blow, and that one of them has to kill him. Yet, if Satine does, she'll be betraying her pacifist ideals, and if Obi-Wan does, he'll lose Satine's respect. Of course, before either of them has to burden themselves with idealistic compromise, Anakin shows up and within seconds has stabbed the an through the stomach because he knows how to get s**t done.

The final episode of the trilogy...kinda does the same thing the last two have done, with betrayal, Death Watch assassination attempts, etc. The main difference is the subplot involving a heavily doctored recording being used to try and get legislation passed in the Senate, but once the falsification is exposed, the government quickly recoils and rejects the motion, and that in and of itself is apparently the stuff of science fiction.



Hell yes, it's another Padme episode in Senate Murders. We get to once more see her Rodian uncle along with his aid Lolo, attending the Senate to introduce a bill to cut military spending, because this show is House of Cards for kids. Of course, two senators who stand to directly benefit from the production of these troops oppose this bill because they "believe in the war effort". These senators names, and really have your deciphering caps on to figure out if there's any allusions here, are Senator Deechi (who's full name is Mee Deechi, and is a reference to the House of Medici, and the fact that I think Deechi sounds like Dick Cheney is just a sign I need to put on my tin foil hat) and Senator Halle Burtoni (I'm just gonna put my tin foil hat away). After Burtoni greets Onaconda (Padme's uncle), he dies, so obviously the spotlight is on her in terms of suspicion. I could walk you through the back and forth and detours of the episode or how ill fitting Tom Kenny's voice is for the Peter Lorre looking detective, especially for the dark tone of the episode, but I'll just up and address the fun-enough twist of Lolo doing it, not because it was her, but why. That it had nothing to do with the current bill, but rather the outrage at how he let her planet fall apart with war on its soil. She's promptly arrested, but the bill fails anyway. Because its important to teach kids that wartime politics is a broken system of weak idealists, bigots and profiteers that will continue to churn out money and bodybags, both unevenly distributed between the upper and lower class with an ever shrinking middle.



Cat and Mouse...I don't even really see a point in discussing. Beyond it being the first story in the Clone Wars timeline, this episode is utterly unremarkable and has virtually no effect on anything going forward. It deals with Christophsis again, where Anakin has to contend with a Separatist stealth ship which you know he'll defeat because we've seen the battle of Christophsis and it's not a factor. Do we really want to do a synopsis?

The Separatists have a ship called Invincible. It's not.

Cool, moving on.



Oh, Bounty Hunters is fun. It is so, so much fun, in no small part due to the same recognition factor that occurs with Hostage Crisis. When Anakin, Ahsoka and Obi-Wan land on the planet Felucia in search of a lost medical station, they instead stumble upon fa family of farmers, and before they know it, are set upon by bounty hunters. Four of them. This is when the farmers explain they hired the bounty hunters to help protect them from pirates who constantly demand "tributes" from the farmers. The three Jedi agree to, for once, work with the four bounty hunters to protect the farmers, making the total number 7, and what a magnificent seven they are.

You guys, it's the plot to Seven Samurai, Akira Kurosawa's masterpiece (and that's saying something). You know what? I'm not even gonna get into the plot of this one. Either you know it or you don't, and if you don't, go out and rent Seven Samurai as soon as possible. It's one of the greatest films ever made (yes, even surpassing the Holy Trilogy, as heretical as that sounds). You won't regret it.



The penultimate storyline of the season continues the trend of cinematic homage, in this case the seminal kaiju film and Hollywood classic that inspired it. The Zillo Beast pays great tribute to a certain movie about a reptilian destroyer of Tokyo. Anakin, Mace Windu and a hologram of Palpatine wonder about the negative consequences of their new Electro-Proton Bomb, intended to effect only droids and not their troops. The troops, however, are so vastly outnumbered, they have no option but to use it, and damned if it isn't a hell of a sequence to watch (observe the first half of this video, and note the projectile is so A-bomb looking you expect Slim Whitman to be riding on it). Sure enough, the droids are wiped out, disabled by an EMP blast which also takes out Palpatine's hologram and Anakin's arm (one of the only acknowledgments of Anakin's robot hand this whole show thus far, so much so I'd forgotten about it). Yet, the group has little time to celebrate, as the ground beneath them begins to shake, and a sink hole traps several troopers. While Anakin works to negotiate a trade deal with the leader of the planet, Mace goes below to investigate and rescue, when one of the survivors warns him of something dangerous.

That something, it turns out, is a giant creature known as the Zillo Beast, who is virtually indestructible. His scales, it turns out, cannot even be penetrated by lightsabers. It's the lightsaber revelation that immediately fascinates Palpatine, and he demands they capture the creature so that its scales could be studied and used for new clone trooper armor, and the fact that Palpatine really wants lightsaber-proof clone trooper armor doesn't phase any of the Jedi in the slightest (so, really, they kind of deserved to die at this point). The natives of the planet want the creature dead, as its the last of its breed, and they had believed it to be extinct (and should like to keep it that way), but Anakin devises a plan to stun it that it might appear dead, thereby appeasing the natives and securing the trade agreement, and allowing the Republic to take the creature for study (and armor development, for easier eventual Order 66 stuff). The plan works, even with the foolhardy interference of the native leader, and Palpatine tells them to bring the creature to Coruscant, because in a galaxy far, far away, nobody's seen how that worked out in King Kong.



And speaking of King Kong, if The Zillo Beast is Godzilla, The Zillo Beast Strikes Back is so, so King Kong, and it's glorious. Back on Coruscant, Mace Windu worries that the danger the creature poses outweighs any potential benefit from study, and Obi-Wan concurs, but advises Windu that might seek help from someone more prominent in Palpatine's esteem. Palpatine, meanwhile, has a solution for the problem of scale removal causing the beast great pain: simply kill it. The researcher he's assigned to it objects, suggesting the beast is sentient, but Palpatine assures her that another researcher can be assigned to the study should her conscience prevent her from doing what's necessary.

Obi-Wan and Padme implore Anakin to speak to Palpatine about the error of killing the creature, and he agrees, but when the secret couple meets with Palpatine and one of his advisors, Anakin stays neutral in the heated debate, much to Palpatine's pleasure and Padme's disdain. Naturally, since this is a King Kong homage, you know the beast breaks free, and climbs to the top of the senate building (except this time holding a ship with Palpatine, Anakin, Padme and R2 instead of Fay Wray). Eventually, the group escape its clutches, and the Republic proceeds to poison-bomb the s**t out of the creature until it dies, slowly and agonizingly, for all to see, because that's something a kids show does now. Anakin laments the tragedy that's just unfolded (sadly not saying beauty killed the savage beast, but there's only so much homage I can ask for), while Palpatine instructs his scientist on a new undertaking: clone the creature.



Lastly, the season fully earns its "Rise of the Bounty Hunters" subtitle in this, the Boba Fett trilogy. Death Trap starts us off with a group of young clones touring a Republic ship, and one familiar looking young boy named Lucky appearing to be the most promising of the new "recruits". The first act plays out like Ender's Game, and if the whole episode had just been showing us how the Republic army functions through the eyes of kids blessedly bereft of even an ounce of Amblin, I would have been ok. We get to see sarcastic troopers, looking to rile up the young ones ("Admit it, you're lost", "What do you shoot at?" "Malfunctioning droids"), we see that Anakin proudly showboats in front of the kids in order to boost his ego. In the end, this episode is about more than just kids, though. Or rather, it's about one kid in particular, as Lucky is actually Boba Fett, the "son" of Jango Fett, and he's aboard the ship to exact revenge on Mace Windu for beheading his "father". After a bomb planted by Boba fails to kill Windu (a trooper sets it off instead), the entire ship is on the look out, and Aura Sing (who has apparently become Boba's mentor) instructs him he must attack the ship's core, killing everyone. He's reticent, but concedes, and when a trooper finds him in the console room, assuming him lost, Boba gets ahold of the trooper's blaster and beats him over the head with it, then firing the blaster on him when he's down (admittedly on stun, but the scene is still so grim they didn't run it in Australia). The children, Boba included, are all confined to one escape pod as everyone aboard the ship flee, and that pod is intercepted by the Slave One, and Aura convinces Boba to let the pod full of kids drift off and die in the cold emptiness of space because they're living witnesses, and he with regret concurs, muttering an apology as he shuts the door and abandons the to the cold embrace of oblivion.

Yeah, Obi-Wana and Anakin rescue them moments later, but it would have been so much cooler if the didn't.

R2 Come Home is the weakest of the three, as a fair amount of it involves R2-D2 pulling Home Alone style traps on the pursuing bounty hunters after Anakin and Mace are trapped beneath rock. The one highlight is what causes them to be trapped, that Boba Fett plants a bomb inside his father's helmet that explodes upon being lifted. Mace knows better, but Anakin unwittingly causes the explosion, and the two are stuck waiting for R2 to get help, which he does, so nothing of actual consequence happens, nothing is established or resolved, no character development occurs. It's just filler, but its far more engaging filler than the kind we encountered in Season 1, so I'll cut it slack.

The finale, Lethal Crackdown, cranks up the Western influence to 11, even without an appearance from resident gunslinger Cad Bane. Anakin and Mace Windu are in recovery at the Jedi temple when they receive a transmission from Aura Sing revealing the men they thought had died with the ship, including Admiral Kilian and Ponds, are alive and in the possession of the bounty hunters. Well, they were alive, since Aura tries to make Boba execute Ponds for the Jedi (and the viewer at home) to see, before she shoves him out of the way and does it herself. Ashoka and Plo Koon take it upon themselves to go after the survivors, but Ahsoka's hot temper prevents them from being able to gather much intel.

Meanwhile, a rift has arisen between the bounty hunters, and after they arrive on the planet Florrum and Aura seeks out her lover, Hondo (the pirate we've seen in, well, every episode a pirate has been mentioned), one of the bounty hunters calls a friend to vent about how he's been treated. However, Aura overhears and kills him on the spot. Back at one of Coruscant's underground bars, Plo advises Ahsoka to simply listen and focus, and she overhears someone say their friend got killed from being overheard talking on Florum (I couldn't think of a better way to word that), and after a brief skirmish in the bar when Ahsoka gets caught eavesdropping, the two head to the planet to try and rescue their comrades.

When they arrive on Florum, they're greeted by Hondo who walks them to the cantina to meet Aura, but freely admits to them its a trap (doing so so they know he isn't behind the trap). Sure enough, the cantina is empty but for Aura and a single table, and she attempts to extort Koon for a ransom, claiming she has a comlink to Bossk, who will execute the hostages should he not apply. Simultaneously, Ahsoka destroys Aura's comlink and puts her lightsaber to Aura's throat, and Boba Fett puts a blaster to the back of Plo Koon's head. It's a tense mexican stand off, very Ford/Leone in nature, concluding in a flipped table and Aura escaping with Ahsoka giving chase.

Plo tries to extract the location of the hostages from Boba, who finally relents when Hondo tells him Jango would want him to do the honorable thing, even though...I mean, judging from all we'd seen of him and his chosen profession, I don't know how true that actually is. Anyway, Plo gets the intel to Ahsoka, who manages to rescue the hostages seconds before their execution. Aura manages to take off in the Slave One and, in one of the most badass sequences in the show, Ahsoka jumps onto the moving ship and just starts hacking away in furious anger at the windshield of the ship, eventually destablizing it and dismounting before it crashes in a fiery wreckage. Later, on Coruscant, the captured Boba Fett apologizes to the assembled Jedi, including Mace Windu, for the damage he's down, but vows that he will never forgive Windu for the death of his father.

And if all that isn't enough to convince you this season is worth watch, let's just note that Boba Fett's "theme" in the three episodes, which plays whenever there's a moment of significance for the character, is the first three notes of the four note harmonica refrain from Once Upon A Time in the West.



So, overall, is Season Two worth watching? An emphatic yes. With a single exception, there isn't a boring or commonplace episode in the bunch. The show is really finding its footing here, and hints that the next season will be even more assured and engaging as such. It's bookended by some really gripping action, and is packed with varied stories, exciting set pieces and some clever homages. Even if you weren't sold on Season 1, definitely give this season a glance. If for no other reason than a significant lack of Jar Jar (who I still stand by, damn it).

Come back next week, where we'll talk about Season 3 of The Clone Wars.

Friday, September 25, 2015

Star Wars The Clone Wars: Season 1

First time here? Check out the mission statement here, then get caught up on the canon with Episode I here, Episode II here and the Clone Wars film here.


The year was...not really worth mentioning. In trying to figure out the format for writing up television shows, especially since these series were release fairly close to present day, the tone-setting nostalgia trips have fallen to the wayside for now (though for those wondering, the season debuted Oct. 3rd, 2008 and wrapped Mar. 20, 2009).  So with 484 minutes worth of material to cover (as opposed to the usual 120 or so), we might as well just dive right into it.

Obviously, spoilers below for the first season of Star Wars: The Clone Wars (and therefor the film, and everything that precedes it) so proceed with caution.



The series kicks off with Ambush, an episode never intended to be the premiere, either before or after Lucas excised some episodes to make the feature film, but it serves as a fine enough introduction to the series and it's style. After its jarring debut in the feature film, the new theme song feels more natural here, and the quick logo shot into the episode's moral (reminiscent of the meditations on war often presented before missions in COD: Modern Warfare) set a good tone for what we're about to see: An anthology series; stories of war and the battlefield, parables and allegories of conflicts and conscience that can get surprisingly profound for a show with such a kiddish atmosphere (an atmosphere mostly set through the rather ill-fitting Tom Kane voice-over, though I'd grown used to it by the series' end). Where in the timeline this takes place, we're unsure, as the series has a strange chronology Wookiepedia can clear up for the curious, but somewhere along the line, Yoda and Asajj Ventress have both converged on the moon of Rugosa to try and convince the king of the Toyadrian system to join their side of the conflict (fun fact: Watto the junk dealer from Episode I is a Toyadrian, except he didn't have the attire or weaponry of those depicted in this episode because even George knew how to pull back on the arab/semitic characters a bit). Ventures lands first, as Separatist forces have attacked Yoda's ship, forcing him and three troopers to take escape pod to the surface while the ship flees (at one point, one battle droid complains to another about his aim at the pod, and he responds "Oh Well, it's my programming". I really shouldn't enjoy the battledroid schtick as much as I do, but god I love it). Via hologram, Yoda contacts the king to ensure the monarch he is still willing to negotiate an alliance, and Ventress puts forward a deal: Should Yoda prove formidable against her best droids, then Toyadaria joins the Republic, but should they fail, Toyadaria joins the Separatists.

The king accepts the proposal, and Yoda and his team soon face off against a troop battalion, and flee into a cave, outnumbered disheartened. Fitting the moral of the episode ("Great leaders inspire greatness in others"), Yoda explains to the troopers that it's not their weapons but their minds that make them powerful, and that in the end they are individuals, no matter what their origins, inspiring his troops not only to be better warriors, but to be themselves.

He then proceeds to massacre the ungodly hell out of a whole slew of battledroids, at one point getting inside a tank, from which point on his actions can only be determined by flickers of green glow and the droids which are drawn into the tank who never come out. It's a truly inspired piece of Star Wars visual, and sets the bar much higher for this series than it's feature film debut did in just a matter of moments. After some droideka are taken out by newly inspired clone troopers, the king has seen enough and decides to support the Republic. Disappointed, Ventress is ordered by Count Dooku to kill the king, but Yoda arrives on the scene just in time to halt Asajj with the power of the force, taking away her lightsabers. Yet, rather than execute her, or even command the troops to arrest her, he hands her back her blades, at which point she triggers and explosion and flees as gunships arrive to retrieve the group.

Overall, it's a charming little episode, light but entertaining, and far better than the film which preceded it, though it took me some time to come around on the finally. Initially I was a bit frustrated with the "Yoda giving her back her weapons with enough time for her to flee" sequence, finding it contrived, until it struck me that this wasn't just some beat put into the script to buy time. If Anakin were there, or Dooku or Grievous, they would have executed their enemy on the spot. Even Obi-Wan or Windu would have immediately called for her arrest. But Yoda wouldn't. He would give her her blades back. He would want her to see that she'd been bested, to recognize her defeat with honor and humility, and surrender. He wanted to give her a chance to hand herself over, to perhaps seek penance and redemption. Because that's what Yoda does, and this series gets Yoda, even better than the prequel trilogy did. And that's the point where I became on board for this whole series.


Next up was a three part series (Rising Malevolence, Shadow of Malevolence, and Destroy Malevolence) focused on General Grievous' new weapon, the eponymous ship. Jedi Master (and all around stoic badass) Plo Koon locates the ship and seeks reinforcements, but i contacting Anakin finds the other Jedi have been instructed otherwise. Before he can seek help elsewhere, General Grievous (in our first proper encounter with him) jams his communications and attacks, forcing Plo and his team to flee into escape pods. Anakin, upon consulting the Jeci council who command him to stay defending the supply lines, is seemingly as resigned to Plo's fate as Plo himself is, but his padawan Ahsoka refuses to just let Koon drift in space until his ultimate demise. Whether he has a change of heart through Ahsoka's pleading, or his rebellious streak had kicked in at being commanded to ignore a person in need and this was his plan all along, Anakin and Ahsoka go off after Plo Koon rather than follow orders, and are almost immediately confronted with an image of grim death. And not just a vague shot of, like, a hand and leaving it up to the viewer's imagination. Nope, a full on wide shot of an escape pod, with windows blown open, and a dead human body draped over one of the frames. And that, that would be the point where you'd say "Huh, that's a little grim for a show on the Cartoon Network" and move on if you weren't later treated to a sequence of a battle droid actually cutting open the windows of another pod, causing the vacuum of space to rip the clones from the vessels, suffocating them, and causing their lifeless bodies to drift among the debris. That right there is some heavy s**t. A team of droids find Koon and his pod, and Plo manages to find them off before Anakin and Ahsoka arrive for the rescue, and he tells them of Malevolence and it's ion cannon, and after attempting to shut down every detectable piece of their ship and blend in with the debris (forgetting the medical droid, whose faint signal tips off the Separatists to their whereabouts), they hyperspace-jump back to base, where Anakin and Ahsoka await admonishment for disobeying the council's orders, content in the knowledge that they saved a life.

Some time later, Anakin, Ahsoka and Plo lead a charge against Malevolence with a fleet of Y-wings and discover it plans to attack the Kaliida Shoals medical center, a Republic medical station on the outer rim. Anakin wants to go for an all out assault, but Ahsoka and Plo Koon caution him that his plan is too aggressive. After navigating an old smuggler's route called the Balmorra Run and the loss of a good chunk of Anakin's squadron (even a clone named Matchstick they get yo attached to just to break your heart), it turns out Anakin was right, his strategy does work, forcing the Malevolence to retreat.

In his retreat, Grievous' ship (through the machinations of Count Dooku and Darth Sidious) crosses paths with a ship carrying Senator Amidala and C-3PO to a negotiation. Trapping her in a tractor beam, Grievous holds Padme hostage, and though she begs the Republic to continue their attacks on the ship and worry not about her, Anakin demands they stage a rescue. There's some explosions, some romantic interlude, none of which is of any real consequence until, in their final moments before fleeing the ship, Anakin rigs the nav computer of the Malevolence to crash directly into a moon, and though Grievous manages to escape, the Separatist's ultimate weapon is destroyed.

Ultimately not much comes from this arc. We get to see a much more cunning and engaging Anakin than we got in the prequels, likely finally conveyed in the manner Lucas failed to in his writing, and there are some flickers of really quality moments, like the menacing General Grievous or the pretty palpable romance between Anakin and Padme (including a cute little exchange of “Ever since I’ve known you, you’ve been playing with droids” “I used to put them together, now I take them apart” which is a hell of a lot better than "I don't like sand", let me tell you), but overall this feels like a one or maybe two episode storyline stretched out over three episodes, and with the clear set-up for an anthology series where you can jump all over the galaxy and it's timeline, and a great example of a self-contained episode with Yoda preceding it, this three-parter sets a worrisome tone that the series will be bogged down by over-long arcs to fill the holes where episodes were plucked by Lucas to make his film.


Thankfully, we're immediately thereafter treated to a delightful one off, Rookies, that introduces us to the heart of the series: not Anakin or Ahsoka, nor anyone we've known from the saga so far, but rather the clones themselves. Blending the tones of Platoon and Stripes for a romping "war is hell" affair, any episode focused on the clone troopers themselves is a series highlight, and from the moment we're faded into troopers listening to the "Republic Radio", you half expect "Fortunate Son" to be playing while they smoke cigarettes and play cards. Frustrated that their station is so far removed from the action, rookies Fives, Hevy, Echo and Cutup are chastised by Sergeant O'Niner to remember that their job as look outs is crucial to ensure there's no surprise separatist attack, and as though on cue, shortly thereafter a fleet of battledroids show up for a surprise attack, executing some of the troopers, including O'Niner. Fives, Hevy, Echo and Cutup escape, only for Cutup to be almost immediately swallowed up by a Rishi Eel as soon as they exit the facility. The remaining troopers, after discovering communication through normal channels has been rendered impossible, decide to send up a flare in a last ditch effort. 

Commander's Rex and Cody, visiting the facility for an inspection, are thrown by the strange demeanor of the clones they encounter (saying "Roger Roger" is not a good way to pretend you're not a battle droid, turns out), and after seeing the signal flare, the two realize what's happened and take out the nearest disguised droid before being overwhelmed by an onslaught and escaping into the same cater which contains the rookies. Together, they devise a plan to take out the base entirely rather than let it fall once more into separatist hands, as conquering it would allow the Separatists easy access to the cloning facility on Kamino, effectively wiping out the Republic's main battle resource. After setting the charges, the troops flee, but Hevy is unable to arm them remotely, and charges in to activate them manually, giving his life for the cause. After morning the loss of their friend, who'd been the most adamant about wanting to "see action" before it all went down, Fives and Echo are inducted into the prestigious 501st legion by Commander Rex.


In the two-parter Downfall of a Droid and Duel of the Droids...alright, Anakin loses R2-D2, has to go recover it because he never wiped it's memory, and therefor R2 contains Republic plans that can't fall into Separatist hands. Anakin is also weirdly attached to R2. Ashoka accompanies him in tracking down R2, accompanied by a new R3 unit that continually screws things up, and Anakin is routinely verbally abusive to (but don't feel bad, cause that droid's a Separatist spy anyway). After contending with a droid dealer who tries and fails to trap them, the team wind up aboard General Grievous' ship where they rescue R2. That's about it. Not a whole hell of a lot going on beyond an entertaining fight between R2 and R3, and certainly not enough to warrant a two-parter (the "droid dealer entrapping them" segment feels so blatantly like padding). From Anakin being able to recognize R2 from his "voice" to him just kinda being mildly peeved this R3 betrayed him (You know, the guy that slaughtered countless Tusken Raiders), the episodes feel so generic, and do nothing to flesh out the characters within them, and so just purposefully drift along like a suffocated clone trooper in space (I know, too soon).


Ok, two things to know right off that bat: Yes, as the title implies, the episode Bombad Jedi is about Jar Jar Binks, and no, it's actually not insufferable. I know, I know. I had my trepidations as well. The minute we see him aboard Amidala's Rodia-bound ship, my notes just read "Holy s**t, it's ****ing Jar Jar, and god damn it, he's already bumbling. This could go south so fast. Also, he has a tie". And indeed, a tie he does have. But despite a few early bumbles causing Padme to ask Jar Jar to stay behind for the negotiations (why bring him at all, then?) and some more irksomely drastic bumbles afterwards (he smashes the ship, which is probably a moment where those already full of ire towards the gungan just turned it off), Jar Jar actually proves a bit of his worth this episode (and credit needs to be given to Ahmet Best for always giving it his all, no matter what he's handed).

After Padme's Rodian relative betrays her due to Nute Gunray's stranglehold on Rodia's access to food and other necessities (that's right, children. Resource manipulation and poverty cause people to do terrible things. Clone Wars: It's like Captain Phillips for kids!), Jar Jar decides to rescue her by donning a Jedi's cloak that's been stashed away in Padme's ship, which I suppose is Anakin's answer to leaving a toothbrush at her place. The Separatist forces are so intimidated by the idea of a Jedi that they never question whether he has the abilities the costume denotes (because some writer apparently watched The Three Amigos before this pitch meeting), and tossing in Jar Jar's ability to commune with sea creatures he apparently has, he's able to help rescue Padme, who does a pretty good job saving herself employing a Goldfinger-esque tactic to lure the guard droids into her cell to facilitate an escape. They arrest Gunray, Palpatine sends supply ships to Rhoda, and the most loathed character in cinema now becomes the Aquaman of the Star Wars universe (which, in his case, is a step up).

The follow-up episode to Bombad Jedi, Cloak of Darkness, has a much more dour tone than its predecessor, as Jedi Master Luminary Unduli and Ahsoka are tasked with bringing Nute Gunray to trial. Greeted upon their landing by a assemblage of masked, faceless Senate Commandos, and one without a helmet (who you call from the beginning is gonna be a traitor because, well, Chekhov's lightsaber and all), Nute Gunray is taken away to away that the two Jedi might interrogate him. Ashoka employs a "bad cop" routine to counter Luminara's calm demeanor, which the Jedi master doesn't approve of, when the base is infiltrated by vulture droids, forcing Luminary to leave Ahsoka alone to guard Gunray while she tries to fend them off. Gurney attempts to throw Ahsoka off her game by pointing out the lack of faith Luminara has in her (Gunray is a lot less iritating in this series than the films, and his accent far less a caricature), when unbeknownst to either of them Asajj Ventress emerges onto the base, determined to rescue or silence the imprisoned Viceroy. After wiping out a slew of clones and making her way to Gunray's holding cell, she spars with Ahsoka until Luminara returns. Now outnumbered, Ventress sets off an explosion to rock the ship and escapes. Luminara follows, ignoring Ahsoka's warnings that Asajj is too powerful for one Jedi to take on alone. Of course, she's right, and Luminara is soon overpowered. Ashoka leaves the Commandos in charge of Gunray and rescues the Jedi master, but in her absence, ol' one-Commando-whose-face-we-saw betrays the rest and frees Gunray, escaping on a ship with Ventress, only to be stabbed clean through the chest, in full view for all the kids to see, after he tells Ventress he plans to take most of the credit for the rescue. Yep, this show goes hard. And the next portion of this three-parter goes even harder.

You see, I'm not gonna tell you the plot to Lair of Grievous is great. It's not that memorable, and in terms of overall storytelling, it's a bit of fluff, since Gunray isn't even at the lair after all. But the beauty of the episode is it's tone, it's atmosphere and the dark places it's willing to go. Kit Fisto is reunited with his former apprentice Nahdar Vebb, only to find him lacking the kind of calm judgement necessary of a Jedi. Thinking they've found Nute Gunray, they stumble instead upon a hologram of Count Dooku, offering them an "alternative prize". It seems Dooku is displeased with Grievous, and has determined that this set-up will either inspire Grievous to eliminate more Jedi and take more command, or do the Separatists the favor of removing the dead weight. I could break down the plot points, but beyond "they fight a giant monster" and "they fight Grievous", there's little point in delving into them, even if it means ignoring Grievous' sassy Billy Eichner-esque companion droid, A-4D. Suffice it to say, the highlight of this episode is when Vebb goes up against Grievous, attempting as Fisto would later put it, to "match Grievous' power with his own", and he gets straight up, in your face murdered by Grievous. Now, mind you, Vebb has been played pretty young in this episode, and is very likely a teenager, at most maybe 20 or so. That right there sets the tone for the show. That, on a much smaller and less significant scale, is their Game of Thrones S1E9. They're gonna kill people. Not just clones, or robots, but Jedi. Young Jedi. Anyone is fair game, don't matter that this is on Cartoon Network. If you didn't see them in Revenge of the Sith or after, there's no guarantee they're coming out of this series ok, and that alone would make this pretty worthwhile three-parter worth the watch.


Apparently the Nute Gunray affair, spanning three episodes and still unresolved, has been abandoned at this point (or this two-parter happens before or far after in the chronology) in favor of an attempt to capture Count Dooku in Dooku Captured. We're told through the voice-over that Anakin made an attempt to capture the Count that apparently didn't warrant being seen by us at home (apparently there was an online comic depicting it that tied into the episode, yet it's no longer canon because reasons), and that he's subsequently gone missing. Obi-Wan goes to rescue him, and through turn of events both the ship carrying Dooku and the vessel with Obi-Wan and the newly recovered Anakin crash land on the planet Vanqor. After a brief skirmish with the Count that leaves the two Jedi stranded in a cave (where they use lightsabers for illumination, a pretty novel idea we haven't seen put to use thus far in the canon, obvious as it seems), Dooku is captured by a band of pirates (who listen to straight up Indo-African almost Bollywood-esque music, and they're impoverished drunken pirates, but I've already made one Captain Phillips reference this post, so I won't bring it up again. S**t I love that movie. Anyway...). The main pirate, voiced by terror who flaps in the night Jim Cummings, offers to sell Dooku to the Republic, who at the urging of Senator Amidala send Obi-Wan and Anakin to ensure the Count is truly captured. Agreeing to go unarmed because it's not like these are ****ing pirates or anything, they find Dooku alive and well (suspended the exact same way he'd once suspended Obi-Wan in Attack of the Clones), but he urges them to have caution and not underestimate the pirates which is both common sense and a weird thing to warn the people you'd very much like to see dead. After informing the council that Dooku is there, Palpatine dispatches a Senator along with the ever-bumbling Representative Binks (at least this makes sense, as Palpatine wants this to go awry) to the planet, while Anakin and Obi-Wan are invited to....alright let's just do this. The pirates tell Obi-Wan and Anakin to come to a celebratory banquet that they can't refuse and are served drugged drinks which they switch with the guys next to them because that just has to happen in every adventure story at some point. No matter how long, long ago Star Wars takes place, this was cliched even then.

The Gungan General, of course, renders the final scene of the last episode pointless, since Obi-Wan and Anakin apparently were drugged anyway, in some fashion we never saw, because...this is about the point the episode loses me, honestly. You guys know where this is going. The two Jedi and Dooku have to work together to escape, you know, The Defiant Ones, while Jar Jar (who is not voiced by Ahmet Best, which is more distressing than it should be) bumbles his way into being a general. Quite frankly, aside from a totally badass sequence of Count Dooku force-strangling a pirate while making him shoot another pirate with a blaster, and the fact that I will watch anything that involves Jim Cummings (and yes, I mean anything), the only thing of significance about this trite filler of an episode is that it is the inaugural entry into a long sequence of trite filler episodes (save one bright spot) before we get to the finale, so let's just charge through this and not linger.


So, first up at bat is a two-parter that has no business being a two parter, Jedi Crash and Defenders of Peace. Here, we're introduced to a planet of pacifist space lemurs with Scottish accents. The young want to pick a side, while the wise old leader of the tribe advises them to keep to their neutral, peaceful posture or risk wiping out everything they've created. They want to survive, but he'd rather the civilization be wiped out having stood for something substantial than rob themselves of their values just to stay alive, and believes that at the end of the day, refusing to fight back is its own form of resistance. What an ***hole, right? I mean, pacifists are such p***ies, right? I mean, at least that's the takeaway from this episode. Hell, the moral at the beginning of Defenders of Peace is "When surrounded by war, one must eventually choose a side", which is kind of an insane message when you think about it. I mean, that would make sense if they were too scared to fight, sure. Like, if these were rebels trying to recruit people to fight the Empire, and these guys were the type who'd rather keep their head down and survive than fight for freedom, sure, that'd make sense. That'd be in line with the ideal of Star Wars, the heroism of standing for something other than yourself. But here, we're meant to chastise the old man for being willing to die for an ideal instead of just doing whatever's necessary to survive? In the end, the Scotsmonkeys do defend themselves, and the wise old man of the tribe even suggests it was the right course of action, but seeing the Republic ships flying over head, wonders at what cost.

The next episode, Trespass...I'm gonna be 100% honest with you, I had to hit Wookiepedia to even remember anything about this episode beyond the fact that the episode contained "a blue alien dude who reminded me of that one Daft Punk video" (my one note about the episode). Clearly forgettable, this far-more-Trek-than-Wars episode where the sentient but animalistic creatures of a planet are at constant conflict with blue humanoid moon creatures. The old guard refuse to let the conflict end, where the younger people, particularly Senator Riyu Chuchi, want to see the conflict end. Eventually, Riyu's superior, Chairman Chi Cho (the names in this episode, all these names, they're a thing now) takes a spear to the back, dying due to his own warmongering, and peace is brokered. Also, Anakin and Obi-Wan are there, because **** it, why not, right?

Good, that's done. I'm not gonna say this is the last time the season fumbles. Trust me, save a couple of bright spots from here on out, it feels all fumbles. But when it does pull it off, this isn't just some run of the mill touchdown. When the show's good, it's David Tyree helmet catch amazing. So let's get there.


Look at Ventress up there. She looks like a Reboot villain, and I mean that in the best way. Everything is just on point in The Hidden Enemy, from it's lighting to it's dialogue to it's John Carpenter's The Thing-esque paranoia. I had my concerns when this was revealed to be a prequel to the film, which brought us back to the dreadfully named Christophsis, but the level of intrigue and sense of claustrophobia elevated this episode to a whole different plane from the film (or indeed, any of the prequel films, I'll go so far as to say). When the Republic's battle strategy collapses after a droid battalion shifts tactics, as though anticipating what the Republic had had planned, they steal the head of a command tactical droid and analyze it. It only reveals that the Separatists knew of their plans in advance before malfunctioning, and Obi-Wan decides to confide in Cody and Rex that they intend to sneak behind emery lines to determine how they're receiving the intel, but advise Rex and Cody to keep their departure a secret, in case there's a mole. They concur, but after the Jedi leave, Cody finds a comlink left open in the room, meaning someone was eavesdropping on the conversation. They find an unidentifiable figure outside the room and give chase, but lose him within the mess hall. Realizing the room is only full of clones, they know that there is indeed a mole, and it's one of their own. They search the communications records and find a low unusual frequency coming from the barracks of Sergeant Slick and his men, and from here the episode plays out like if The Thing was an espionage thriller set during Vietnam, and then remade to be in space, and it's exactly as awesome as that sounds.

Rex and Cody proceed to interrogate all of Slick's men, and while Jester, Punch, Sketch and Gus all have solid alibis, Chopper is being noticeably cagey, and is soon the focus of great suspicion, until he reveals that he's been collecting trophies of his kills, namely droid fingers he'd made into a necklace (and if you're wondering the origin of such a colorful bit of character trait comes from, google Sam Ybarra. In fact, I'll do it for you. Yep, this was on Cartoon Network). Slick still feels suspicious of Chopper and demands a full investigation when the Jedi return, overplaying his hand as Cody quickly realizes no one knows of the Jedi's departure beyond himself, Rex, and whoever was on the other end of the comlink. Knowing the jig is up, fights off Cody and Chopper, fleeing the scene and using charges he'd set to blow up the weapons depot and several ships. After it's revealed Slick made his way to the command center, Rex and Cody command the others to guard the perimeter, choosing to take Slick on themselves strategically than risk more loss of resources through a full on assault.

Obi-Wan and Anakin, the subject of much observation from Separatist spy droids, swiftly realize their attempt at espionage has been foiled, but trudge on, encountering Asajj Ventress (but clearly not for the first time, still leaving us unsatisfied canonically as to their original encounter). In one of the most exciting fights of the series thus far, Obi-Wan and Anakin seemingly win the duel, but Ventress cuts through the floor and flees. The Jedi catch up to her and skirmish once more, but upon seeing the vast droid army Ventress has amassed, escape to prepare for the oncoming onslaught.

Observing the empty command center, Rex and Cody surmise that lick is in the air vents, and conduct an pantomime to lure him out, with Rex seemingly leaving the room, and Cody placing his gun on the table. Slick takes the bait, and finds the weapon empty, as Rex places his (far less empty) weapon at Slick's head. Slick manages to fight them off briefly but is eventually subdued and brought before the returning Jedi, where he unleashes a vitriolic rant to reveal his motivations, and makes one of the most impassioned arguments against the Clone Wars ever presented in the canon, with some of the most thought-provoking writing in the entire series:

"It's the Jedi who keep my brothers enslaved. We do your bidding, we serve at your whim. I just wanted something more...I love my brothers. You're too blind to see it, but I was striking a blow for all clones."
Now, it seems silly to empathize with a cartoon clone, yes. But think about it, cause at it's core, this is some Ender's Game, Heinlein-level sci-fi existentialism. This is the first clone to come along thus far who realize how ****ed up it is that they're literally cloned to kill. It's like a draft, except they never had a life before the service. They're literally robbed of a childhood, robbed of their innocence, forced to fight, to serve and die at the command of the Jedi, with no hope of getting free, no alternative. And knowing through hindsight that loyal service to the Republic would mean the eventual slaughter of all  the Jedi, including massacring children, and becoming servants to a tyranical emperor, while eventually being phased out in favor of volunteers, dying either on the battlefield or obsolete, with no real name, nothing, no shred of individual identity to live on after your borrowed body finally gives up the ghost; knowing all that, whose to say he really was so wrong?

Yeah, that's some good ****ing sci-fi right there. It doesn't get much better than that, and these next few episodes don't come close, so let's just get a move on shall we? Ok, we can linger on The Hidden Enemy just a little longer, to soak in this great featurette (and learn to appreciate Lucas as an idea man just a little bit more).


The one good thing about the two-parter Blue Shadow Virus and Mystery of a Thousand Moons (besides getting more Padme and Ahsoka, which I'm now always on board for) is the aesthetic, a blend of Fleischer and Geiger, which gives moments a sense of if Flash Gordon met Alien (see above image for example). Beyond that, this bottle episode about a deadly virus is weighed down by cliched story beats, an insufferably cartoonish mad scientist and a general lack of stakes. You don't really care if the clones die (you heartless bastards, what would Slick say?), you know damn well Padme makes it out since she can't die until she's had kids (but she can die immediately after), and some folks would be stoked if Jar Jar croaked (and until Ahmed Best is back as the voice, I'm with ya), so really the only one we're worried about is Ahsoka. Surprise, surprise, by the way: they survive. After Anakin journeys to a far off planet to find a magical root that can cure them, and encountering a typically grating Amblin kid and his village of superstitious people, Anakin returns with the root and saves the day. The only good piece of character development that comes out of this episode is Obi-Wan suggesting they give Jar Jar some weapons training, so that we might finally have some justification was to why he's brought along on missions at all.

On the subject of character development, Storm of Ryloth seems to be all about that with an incredibly generic story about Ahsoka overreaching and losing some of her men, causing Anakin to try and teach her a lesson. And so he does. And she learns from it. That's the basic skeleton, and all that's really worth mentioning (though Wookiepedia has a surprisingly expansive plot synopsis for it all the same). This is one of those episodes it seems clear was thrown in at the last minute to make up for the missing episodes which became components of the film.

The Ryloth storyline carries over into two more episodes Innocents of Ryloth and Liberty on Ryloth, neither of which carry much significance, with the few notable highlights being the introduction of future Rebels character Hera Syndulla's father Cham and a cool moment of sound mixing when Mace Windu escapes a shut off bridge in Liberty, and a rather heartwarming ending moment in Innocents where some Clone Troopers who'd been looking after a young Twi'lek girl find out that her nickname for them, Nerra, translates to "brother". Ultimately, Innocents of Ryloth is a sweet if unremarkable episode, and Liberty on Ryloth is so pointlessly empty it stands out as perhaps the low point of season one.

But now lets all strap in for the finale, cause trust me, it's about to all pick and up reach near Hidden Enemy level here.


**** yes, Hostage Crisis.

I say that, because while other episodes have been riffs on cliched ideas and classic cinema, this episode blatantly rips off a revered film, and does so so brilliantly its utterly delightful. Ok, so you all remember Ziro the Hutt from the Clone Wars movie, right? You don't? Because I barely mentioned him? That's fair, but in my defense, he's awful. Just awful. Anyway, the Droopy Dog sounding uncle of Jabba who betrayed him to the Separatists has been arrested by the Republic. Boom, you're caught up.

Anyway, the gloriously badass looking Cad Bane (whose imposing bounty hunter demeanor calls to mind The Saint of Killers from Garth Ennis' Preacher, among other iconic characters) arrives at the senate building and is promptly the subject of an arrest attempt from senate commandos before Aurra Sing (remember her from the pod race scene in Episode I?) snipes them, and joins Bane and his bounty hunter crew on the senate's doorstep.

Meanwhile, up in Padme's office, Anakin tries to convince her to go away with him, to reconnect, but she's too focused on work, and worries he's going to slip up and reveal their secret marriage. Their relationship feels honest here, believable, sincere, more so than we've ever seen thus far. Anakin say some sweet sentiment about giving his lightsaber (his life, as he puts it) to her, when they're intruded upon by Senator Organa, who calls Padme down to discuss the Enhanced Privacy Invasion Bill (because in a galaxy far, far away, they don't sugar coat their bills with words like "Patriot Act") while Anakin hides under a desk. However, when all the senators are assembled, Cad Bane and his team capture them and hold them hostage within the building, which they lock down. They demand from Senator Palpatine that Ziro the Hutt, a political prisoner, be set free in exchange for the hostages' lives. But there's one thing they don't count on: Anakin Skywalker. Now, unseen but weaponless, this one man must do whatever he can, employ all of his cunning and training, in order to overtake the hostage takers and their maniacally calculating leader and rescue his estranged wife, and that's when it hits you.

This is Die Hard.

You guys. You guys. This is ****ing Die Hard.

Cad Bane is Hans Gruber, the Coruscant Senate is the Nakatomi building, Senator Philo is Ellis and Anakin is mother****ing Bruce god damned John McClaine Willis.

Yippee-Kai-May the Force Be With You, Mother****er!

Yeah, this episode is fantastic. And not just because its Die Hard in space (but mostly that. They even set explosive charges in the building). The characters feel real, their emotions feel honest. Anakin shines like he never has before, both his smoldering rage and his focused intensity, showcasing why he is considered "the chosen one". The action is thrilling, there's a real sense of suspense, and this new antagonist in Cad Bane not only brings a new sense of menace to the series that Ventress, after so many near defeats, had begun to lose, but finally brings that Western influence into the universe that had been more prominent in the original trilogy (namely Han Solo, sure, but the cowboy genre leaked into the galaxy far, far away in a lot of ways).

In the end, we get a cliffhanger, as Cad Bane escapes with the effeminate Eric Cartman in Hutt form. I'm sure we're due for a resolution in the early episodes of Season 2, and honestly, I can't wait to get to them. So is season 1 worth watching? Yeah, I'd say so. Even with the the rough patches that bookended The Hidden Enemy, there's still a lot of good in it, enough to get one really excited to see if they can hit those same highs, and more frequently, in the second season. Who knows which episodes will be of consequence down the line, which are helpful to the understanding of later events in the series, which makes it difficult to say which episodes to potentially skip (I'm having a hard time believing the science-fiction double feature nefarious scientist of Blue Shadow Virus will really be the crux of any future arcs, though), but I can definitely say what's worth seeking out if you want a taste of what this show can do right. Some folks would ignore the series because they don't wanna get "too involved", others will because its a "cartoon" or a "kids show", but show them Ambush, or Rookies. Let them see the darkness of Lair of Grievous, or the tension of The Hidden Enemy. Let them see the flickers of romance that crop up in Hostage Crisis and Destroy Malevolence. Folks who got any joy at all out of the prequels will relish in the fun and ferocity of Clone Wars at its finest. To paraphrase a classic character, to pass this show up would be a big mistake-y.


Well, next week I'll be back with the second season of Clone Wars, which means we've got a whole lot of binging to do. See you guys then!

Friday, September 18, 2015

Star Wars: The Clone Wars

Hey guys, new to the blog? Why not check out the mission statement here, and get caught up with Episode I here, and Episode II here.


The year is 2008. Indiana Jones and the Sex and the City girls returned to mixed results, Barack Obama, Joe the Plumber and Sarah Palin were all names we came to know, The Dark Knight and Wall-E redefined their genres, and I...honestly had no idea there was a new Star Wars movie coming out. And that's no fault of senior year partying or outgrowing the franchise. When compared to the 9 figures its predecessors had pulled in, the comparatively paltry $68 million proves quite a lot of people didn't know this ever happened at all. Not just "movie only" Star Wars fans, but a fair amount of people who even embraced the Clone Wars television show were unaware this film existed, and it was so critically lambasted upon release it even wound up on some "Worst of 2008" lists.

Well, after an intro like that, do we dare disturb this cartoon universe? I mean, it's considered canon, so let's take a look at Star Wars: The Clone Wars.


It's worth noting from the start that this "film" was never intended to be one at all. After the release of Revenge of the Sith, Warner Bros. began work on a computer animated Clone Wars television series. After showing George Lucas some early episodes on a big screen, he reportedly said "This is so beautiful, why don't we just go and use the crew and make a feature?", so what would have been the early episodes of season one of the show were quickly tied together to make a jaunty episodic feature, so hurriedly produced that Lucas Licensing was unable to secure many of the deals it typically would for a cinematic release, and ultimately this rushed production shows in the "finished" product.

If you're looking to avoid spoilers, now's your chance to turn back and watch the film unaffected.

We open with an unfamiliar Warner Bros. logo preceding Lucasfilm in place of the typical 20th Century Fox, a jarring feeling we're sure the get again when we see that famous star arc over Cinderella's castle. From there, the title appears, but a different arrangement of the famed John Williams theme plays, throwing us once more, so that by the time the anticipated title scroll is replaced by a narration from the prolific Tom Kane (best known as Mr. Herriman from Foster's Home for Imaginary Friends or the Professor from Powerpuff Girls), you just come to accept that this is a very different Star Wars.

The biggest complaint most critics had visually was that the characters, designed to look like the classic Gerry Anderson puppets of Thunderbirds and Fireball XL-5, looked like the puppets from Thunderbirds and Fireball XL-5. I'm sure there are gonna be some folks who don't dig the look. Personally I liked it. It wasn't as good as the character designs they were partly based on from the earlier Clone Wars series, but even acknowledging that gives us our biggest issue from a canonical perspective.



Look, I'm not gonna pretend I don't have strong feelings about the original Clone Wars. I mentioned it in the mission statement, and it was bound to come up again. Genndy Tartakovsky, creator of Dexter's Laboratory and the masterful Samurai Jack, crafted two animated miniseries to bridge Attack of the Clones and Revenge of the Sith, following Anakin's ascension to Jedi Knight (including the ceremonial removal of his braid), the debut appearances of Asajj Ventress and future Revenge of the Sith antagonist General Grievous, and exploring the dark, brooding nature of Anakin Skywalker on the edge of his descent. It was a beautiful, artfully crafted set of series, and for whatever reason, the powers that be at Disney, when time came to perform the culling of the canon, deemed the inclusion of these series unnecessary, relegating them to the "Star Wars Legends" banner. Dipping into the officially canon Clone Wars, starting with this film (we'll see if it continues as the series progresses), references and allusions that necessitate knowledge of the original Tartakovsky work are abound, whether it be the sheer fact that the first shot after a flying starship is an assemblage that includes Count Dooku and an as yet canonically unknown General Grievous, just sorta chilling there, as though people should know who he is (sure, this film came out after Revenge of the Sith, so audiences would be familiar, but from a chrono-canonical perspective, Grievous would only be familiar to those who'd seen his titan-like entrance in the original Clone Wars), or Obi-
Wan and Ventress heavily alluding to past interactions from the earlier series in their dialogue later in the film. I'm sure some aspects of Star Wars lore now redacted are hard to detach from the official for some folks (ideas of the Old Republic based on KOTR or bloodlines from post-Jedi novels now wiped away), but its even more difficult when what's meant to be official canon is so heavily cemented in a foundation that's officially non-existent.


As for the film itself, it's initial introductory voice over, which goes beyond familiarizing one with the set-up from the previous film to actually walking one through plot points of the current film that won't even be addressed for the first third of the story, seems to abandon all cinematic intent by showing rather than telling. The story eventually finds a flow, but the very beginning of this new chapter in the Star Wars mythos treats us as though we've missed something already, and it needs to hurriedly catch us up, and it sets the audience off on the wrong foot to truly get into the story for a bit.

While Yoda, Chancellor Palpatine and Mace Windu (actually Samuel L. Jackson, not even sounding like himself) debate whether to send Jedi to recover the kidnapped son of Jabba the Hutt (yep apparently he's got a kid) in order to gain his support in the Clone Wars, Obi-Wan and Anakin engage in a battle with the Separatist army on the planet Christophsis (which is a real planet name now). We're introduced more properly to the clone army itself, whose leaders (particularly Rex and Cody) have their own distinct personalities, a nice touch that makes the battle more engaging. Indeed, for whatever can be said in derision of this film, it's battle scenes are an absolute blast, they can go comedic without going full Jar Jar, as when one of the troopers decides to punch a battle droid in the face, only to hurt his hand, but the action can still carry a lot of weight (just go to about 5:04 into the film, and you'll see a trooper get his helmet, if not his full head, blown off, pretty heavy for the fairly kiddish tone we've experienced). Indeed, as far as I'm concerned, the medium of animation allows everything that was digitally enhanced in the live action series, like the flips and intense lightsaber action, to feel more natural since it doesn't break from the film's reality of movement at all.

The Separatists retreat, and Obi-Wan speaks to Anakin about his anticipation, both for reinforcements and for the arrival of his new padawan. Anakin expresses a desire to never himself have to train a younger Jedi, and is near indignant when Obi-Wan suggests he should (for better or worse, the Anakin in this film differs greatly from the live action one, both in demeanor and expressiveness). Of course, what could have been a nice, quiet moment of character study (the kind Genndy would have relished in) becomes an opportunity for irony when in fact the padawan who arrives is intended for Anakin instead of Obi-Wan. The young Palawan's name is Ahsoka Tano, red skinned, thin, and rocking an outfit that would likely get her thrown out of a bible belt high school, but the Jedi Council apparently had no problem with, despite the fact that every youngling, padawan, knight and master we've encountered wears some type of robes. Sure, they made an exception for her, let's just roll with that (though the more they comment on just how young she is makes that tube top attire way less comfortable), but her constant indignity at being viewed as a "youngling" and her continually smart-ass jabs at her master, whom she calls "Sky-guy" teeter very close to the Amblin kid, not quite E.T. or Episode I Anakin, but let's say so close to John Connor in T2 that I swear she's gonna try and teach Anakin slang at some point, and it gets grating real fast.


Next we're introduced to the villains of the film, the hooded Asajj Ventress seeking guidance from her we assume master Count Dooku (voiced by Christopher Lee, who even ****ing kills it here) and eventually Darth Sidious, who both expound upon the plan to use the kidnapped Hutt baby as leverage to get the Hutts' support on the Outer Rim of the galaxy. Weird seeing Ventress without any formal introduction (her actual introduction, like Grievous', floating out in the ether called "Legends", perhaps chilling with Mara Jade and Grand Admiral Thrawn), and even for a series rooted in fairy tales, its strange seeing Machiavellian manipulator Darth Sidious up to such mustache twirling Dick Dastardly deeds as these.

Meanwhile, back on Christophsis (ughhhhhhh), the enemy forces have fired up an energy shield that's spreading closer and closer towards the Republic's troops, and Rex believes it will make things "damn near impossible" (surprising to hear that kind of language in a film that wastes such time on the childish "you're not my real dad" angst of Ahsoka), until Anakin, inspired by the exclamations of his padawan, derives a plan to get through the shield under cover of...metal, and Obi-Wan goes along with this, agreeing to stay behind with the troops and provide a diversion, leaving the fate of this battle up to his impulsive, erratic former student and his even more impulsive, even more erratic, literally just became a padawan student. So let's just make peace right now with the fact that, with generals like this, the war being entirely rigged by Palpatine is literally the only logical reason the Republic could emerge victorious.

So Anakin and Ahsoka crouch beneath some metal as seemingly the entire army passes them by, and making their way crouched towards the shield generator in order to deactivate it, Ahsoka complains she's tired of crouching and wants to stand. Then, the man who without batting an eye murdered an entire village of Tusken Raiders, argued with both his Jedi master and his protective charge/Senator/love interest continually and belligerently, gives in to her insanely dangerous request because...she's just so darn cute? So, the two stand up, still under the cover of the metal because...reasons, when they bump into a destroyer droid and make the entire sequence worth it by doing a fantastic halt-and-hack attack, decimating the droid, freeing the two to make their way to the shield generator.


Obi-Wan attempts to stall the opposing leader with the type of "casual conversation" over tea that would have been really fun to hear Ewan McGregor deliver, while Anakin and Ahsoka are set upon as soon as she plants the charges to destroy the generator. Anakin fights a few foes off, but Ahsoka saves the day with the kind of force powers she's far, far too good with to be just a first-day padawan. Ashoka shows herself to be almost as competent as Anakin "the Chosen One" Skywalker, in one of many ways the film erred on the side of convenience rather than in-world logic. Altogether, the film is far more concerned with setting up an engaging TV show than sticking to the world and rules of the films, with characters acting very different from their live action counter parts (at one point Obi-Wan says "Ok, Anakin, here's the story" and I cringe a little), sometimes to their detriment, others, like Anakin, perhaps for the better, as though this was how he was intended to be in the prequel trilogy, had the writing better communicated it.

After Jabba is delivered several severed heads of bounty hunters sent to recover his child from an abandoned monastery, he calls once more on the Republic to rescue his child, threatening in true Hutt fashion to turn to the Separatists should they refuse. Sending Anakin and Ahsoka to the monastery with a small battalion, we get our first real sense of the Separatist army, as we encounter battle droids of varying rank and, indeed, intelligence. Now, nothing thus far in the official canon has given any indication that battledroids even have varying intellects, or any degree of distinct personality, and the idea of turning a once formidable foe into comic relief is nine times out of ten a terrible idea, but I'll concede, I love me some idiot battledroids. Maybe its the overall lighter tone (severed heads aside) that allows this to be more forgivable, but their goofy antics here and throughout the film delighted me.

The Republic launches a full on assault on the monastic compound, accompanied not by the orchestral score we come to expect from the franchise, but rather an almost heavy metal guitar composition that gives the scene an extra jolt of energy, and everything from Ahsoka's rogue acrobatics to the gunnery ship that can climb walls is a hell of a lot of fun. The score shifts once again, now to an almost Massive Attack/Thievery Corporation style track as Anakin and Ahsoka enter the building, where they eventually find Jabba's infant child, who Ahsoka dubs "Stinky". After realizing they've been trapped by Asajj and her army, and that Dooku's plan is to deceive the Hutts into thinking the Jedi kidnapped the child (plus some scenes involving a misquotation in a hologram and the duo losing the baby only to find it again a moment later, neither of which are really worth even acknowledging in any larger sense), Anakin concludes they need to make an expedient escape back to Tatooine, and alerts Obi-Wan (on Tatooine to try and broker a treaty with the Hutts) to come help rescue them, while Ahsoka worries the baby Hutt is extremely ill.


Outside the monastery, Commander Rex and his squad are set upon by battledroids, one of whom Rex proceeds to punch in his robot face, grab his gun (still in the droid's hand, mind you) and shoot several others, because Commander Rex is a stone cold clone badass, while Anakin and Ahsoka flee an attacking Asajj Ventress on what I assume are the same dragon creatures Russell Crowe rode in Man of Steel. Shortly thereafter, Obi-Wan defeats Ventress in a cool but inconsequential duel that concludes in her escape, and Anakin and Ahsoka head to Tatooine in a stolen junker of a ship, wherein Ahsoka seeks out a way to help the baby Hutt whose name I refuse to type any further. It's not until this point in the film it hits me that a dying infant, even an alien one, is some pretty heavy s**t to put in a film mostly aimed at kids, but it's worth it, as it delivered to me my single favorite minor character, not only in this film, but perhaps in the whole franchise: Dr. Droid, whose beleaguered, disinterested tone delivers a holographic diagnosis to Ahsoka before stating, and I quote "Uh...if you have any more problems...::sigh::...call an actual doctor". Where is his spin-off comic, Marvel? You got room for Lando, but not the Aubrey Plaza of the Star Wars universe?

Long story short, they return the baby Hutt to Jabba, who agrees to ally with the Republic, and Dooku's plan is foiled. Yoda offers to place Ahsoka in the tutelage of Obi-Wan due to Anakin's initial reticence, but he relents, conceding he's taken a liking to the young padawan. Then they all face the camera in a wide shot, and the movie ends. Yep, just like that.


Sure, there's some parts we skipped over, some good (Christopher Lee's brilliant snarling delivery during his lightsaber duel), some bad (a subplot with Padme and an apparently gender-fluid and scheming relative of Jabba named Zito the Hutt), but all inconsequential. Which, quite frankly, this whole film is. It's not terrible, nor is it great. I certainly wasn't miserable watching it, and it never hits the plodding patches Episode I or II does, nor is anything, even Ahsoka's Amblin moments, truly insufferable. But as I find myself writing this, nothing that wasn't directly written in my notes has stuck with me besides some action beats involving Commander Rex or Count Dooku and some battledroid slapstick.

Is it worth watching? No. I mean, if you're a completist, sure. And perhaps, if you want the origin of how Ahsoka and Anakin came together. But the film feels like the middle chunk of a story, dropping you in the midst of something with no official beginning anyway, substituting a rushed narrative for actual set up. The film is generally forgotten now, as it pretty much was when it came out, with few promotional tie-ins due to its aforementioned rushed production schedule. In response to the rather flippant decision, the "afterthought", to make this collection of episodes into a theatrical film, the head of Lucas Licensing simply said "Sometimes George works in strange ways", and that was certainly the case here. I may revisit the film some day, as it was hardly a chore to get through or anything. Hell, the uninitiated with some curiosity (or those who've seen the series but not the film) are certainly welcome to check it out. Viewing it isn't discouraged, it's just (like the film itself), not necessary.


Next week, we're diving into the first season of the Clone Wars television series, so check back in September 25th for that. Until then, I've got some binge watching to do, and some new formatting to determine, so feel free to chime in in the comments for now.